Gardening is a creative act, and plants can be amazingly beautiful, so is it any surprise that artists are often gardeners — or should I say that gardeners are often artists?

In The Artist’s Garden, the intertwining histories of American art and American gardening from about 1880-1920 are explored in seven essays by noted experts. Written to accompany a traveling exhibit organized by art historian and avid gardener Anna O. Marley of the Pennsylvania Academy of Fine Arts, the book focuses on artists from the Northeast and the Philadelphia area which has had a rich gardening tradition for centuries.

More than 100 of the book’s 250 pages feature full-page color illustrations of paintings and other works by artists ranging from well-known figures such as Childe Hassam and Mary Cassat to lesser lights whose work is often equally impressive. Although the quality of the reproductions isn’t as sparkling as might be hoped — Impressionism, after all, emphasized sunlight and vibrant colors — paging through them is a great pleasure and offers fascinating glimpses of the gardens of the era.

As might be expected, the essays vary in interest and readability, but they’re all worthy contributions. I especially liked Katie Pfohl’s “The Garden Painted, Planted, and Printed” which explores the rise of chromolithography in nursery catalogs and commercial art and its impact on fine art and the public’s acceptance of the brighter palette of Impressionism.

If you’re lucky enough to live near Winston-Salem or Pasadena, you can enjoy the exhibit itself at the Reynolda House Museum of American Art through January 3 or the Huntington Library near Pasadena from January 23 through May 9. If not, add the book to your holiday wish list and you can enjoy it in the comfort of your own home all winter long.

Speaking of lilies, here’s an unexpected way to enjoy them up close, from our good customer Kathryn Hubler of Falls Church, Virginia:

“I thought you’d enjoy this photo of the gold-band lilies we received from you last year blooming in our living room. We’ve discovered we like to grow them in pots so we can enjoy their beautiful blooms and scent indoors. A pot of them is now a necessity, so we ordered fresh bulbs from you this year and will rotate the old ones into the garden.

“I grow the lilies outside, protecting the pot in the winter, and then when the first bud opens I bring them inside by our sunny, south facing window. I started doing this by accident one year when I brought the pot indoors to protect the flowers during a big rain storm. They last longer indoors, they’re never damaged by deer, slugs, or earwigs, and their fragrance is divine!”

Two of the most influential gardeners of the 20th century, Gertrude Jekyll and Vita Sackville-West, would probably approve of Kathryn’s technique. Both recommended growing fragrant lilies in pots and then moving them onto the terrace, near doorways, or alongside garden benches when they came into bloom, as they did in their own famous gardens.

Kathryn planted her lilies in the fall which gave them plenty of time to develop a good root system before they had to start growing above ground. Spring-planted lilies may be more of a challenge in pots, but we plan to try gold-band and ‘Uchida’ ourselves this spring, and we’ll let you know how they do.

For tips on growing all sorts of bulbs in containers, see our Bulbs in Pots page. Have fun, and send us your photos!

New to our catalog for delivery in April is ‘Loreley’, one of the most popular iris of the 20th century. Introduced in 1909, ‘Loreley’ was one of the first “broken-color” iris, a type that has become increasingly popular in recent years.

Unlike broken tulips whose stripes are caused by a benign virus, broken-color iris are irregularly splashed with contrasting colors due to a genetic mutation. Although at least one dates to the 19th century – ‘Victorine’ of 1840 – most early examples were probably discarded as misfits. The enormous popularity of ‘Loreley’, however, helped iris breeders begin to see these “flawed” iris in a whole new light.

Varieties with names like ‘Kaleidoscope’ and ‘Joseph’s Coat’ followed, but ‘Loreley’ remained the most popular broken-color iris until the elaborately patterned, purple and white ‘Batik’ was introduced in 1986. ‘Batik’ won the AIS’s top prize for iris its size and became a huge commercial success, opening the door for the scores of broken-color iris introduced since then, often with amusing names such as ‘Bewilderbeast’.

As our friend Mike Unser writes in his excellent blog post about the history of broken-color iris, “No two blooms are ever just alike, and they can create a very lively and exuberant effect in the flower garden.” To see for yourself, order ‘Loreley’ now for delivery in April!